About the NJ Academy of Music
World-class faculty. High-quality facilities. A passion for music. A strong music community.
The NJ Academy of Music stands out amongst the very best music schools in the world. Our unique combination of dedicated, internationally recognized teaching staff, breadth of performance and teaching expertise, and versatility enable us to carve a path that can take students from beginner through advanced, career-oriented caliber of performance.
While classical music is one of the most demanding and challenging art forms, music enriches our lives and demands a level of self-discipline, attention to detail, and dedication that can enable all of us to achieve artistic excellence and share meaningful self-expression.
At NJAOM, we believe that students of all abilities and levels can be taught to play engaging music through a combination of focused ear training, disciplined practice, and musical education. Through group and private (studio) instruction, students increase self-confidence, gain musical instincts, and learn a true appreciation for music while acquiring performance skills and making musical friendships that will last a lifetime.
NJAOM’s students have been prize winners in regional and national competitions and earned recognition at major international competitions. Our students have also been invited to perform with notable U.S. orchestras and have attended pre-professional music festivals. We are proud of our students’ accomplishments and encourage all of our students to strive to exceed their musical goals.
The only U.S.–born Laureate of the prestigious 2001 Queen Elisabeth International Violin Competition and grand prize winner of the 1997 William Primrose International Viola Competition, Ms. Castelli has been a featured soloist with ensembles worldwide, including the orchestras of Cleveland, Atlanta, National, Seattle, Colorado, Minnesota, Pittsburgh, New Jersey, and Alabama in the U.S., and the Belgian National Orchestra, National Orchestra of Colombia, and Chilean Regional Philharmonic overseas.
As a recitalist, she has appeared on concert series in nearly every major city in the United States, and has been presented in such prominent venues as Carnegie Hall, where she made her critically hailed 2004 recital debut. She has also been heard as soloist and chamber musician on radio stations around the globe. A teacher of award-winning violin students, Ms. Castelli is highly sought after as an instructor of children ranging from beginner to professional level. Some of Ms. Castelli’s students reside in other states and drive or fly in for lessons. Ms. Castelli has taught violin and viola for more than 20 years and has sent students to national and international competitions as well as major summer festivals across the United States.
Ms. Castelli began studying the violin at age three with Edward Kreitman, continuing her studies with Roland and Almita Vamos at the Music Institute of Chicago. She earned her bachelor’s degree in chemistry from Harvard University and her master’s degree in violin performance from The Juilliard School, where she studied with Dorothy DeLay. She is the winner of the Juilliard Concerto Competition and recipient of the Schuman Prize, Juilliard’s only award for graduate students. Ms. Castelli resides in the New York City area with her husband and three children. www.christinacastelli.com
Pianist Grant Moffett has met with great success in his piano performances nationwide. Mr. Moffett has appeared with numerous orchestras in the United States, including the Chicago Symphony Orchestra, the Knox-Galesburg and Elgin Symphonies, and the Woodstock Mozart Festival Orchestra. As a recitalist, he has performed throughout the United States and in Russia.
In addition to his critically acclaimed concerto and recital appearances, Mr. Moffett has garnered prestigious awards from the Saint Louis Symphony National Young Artists Competition, Grace Welsh Prize for Piano, Kosciuszko Foundation Chopin Piano Competition, Concerto Soloists Young Artist Competition, and the National Foundation for Advancement in the Arts Competition.
Mr. Moffett began his piano studies at age four as a Suzuki student of Virginia Burkhart and pursued additional studies with Theodore Edel and Donald Walker. He earned his master’s degree from The Juilliard School, where he worked with Jerome Lowenthal and studied chamber music with Rohan De Silva. Mr. Moffett holds a bachelor’s degree in biology from Harvard University.
James Blumer is a Licensed Andover Educator, violin teacher, and a freelance violinist based in the NY metro area. His violin students have gone on to win numerous competitions and performed as soloist with orchestra.
Mr. Blumer has taught at numerous schools and organizations including the Manhattan School of Music, Ithaca College, and the Suzuki Association of the Americas National Conference. Mr. Blumer is sought-after as a clinician on the benefits of Body Mapping in performance and pedagogy, and offers Body Mapping lessons, workshops, and masterclasses to inform musicians on how understanding the body's natural design can improve movement, leading to performance enhancement as well as injury prevention.
Mr. Blumer completed performance studies at Montclair State University, the Universität für Musik und darstellende Kunst in Graz, Austria, and Ithaca College. While at Ithaca, he also completed long-term Suzuki training with Carrie Reuning-Hummel. James is currently undergoing the three-year teacher training program at the American Center for the Alexander Technique.
A native of Siberia, Grigory Smirnov is an award-winning composer and pianist. His compositions have been performed around the globe in major venues, such as Lincoln Center, Tanglewood, Merkin Concert Hall, Moscow Philharmonic Society and The Copenhagen Opera House. Among his recent works is a large-scale song cycle Dowson Songs, commissioned by The ASCAP Foundation, premiered at Merkin Concert Hall at Kaufman Music Center in New York and to be released on a CD by Naxos. Mr. Smirnov's music has been featured on WQXR, America's leading classical music radio station, and in a number of festivals worldwide, including Tanglewood Music Center (MA, USA), Brevard Music Center (NC, USA), ppIANISSIMO (Sofia, Bulgaria), Chamber Music Sessions (Kiev, Ukraine), CTAM Festival (Moscow, Russia), Blue Lake Summer Arts Festival (MI, USA).
Born in Novosibirsk (Russia), Grigory Smirnov studied as a pianist at the Novosibirsk Music College and as a composer with Yuri Yukechev at the Glinka Novosibirsk State Conservatory. During his years in Russia, he was he was awarded a composition prize at the IV Prokofiev International Competition and debuted as a composer of orchestral music with his composition Pastorale which was premiered by the Novosibirsk Philharmonic Orchestra. Since moving to the United States, Mr. Smirnov has received his Master of Music degree in composition from The Juilliard School, where he was a full scholarship student under the guidance of Christopher Rouse. His other mentors include John Corigliano, Richard Danielpour and Robert Aldridge.
Guitarist Alejandro Cote is a versatile performer who has an extensive repertoire as both a solo and chamber musician. Recent performances include recitals in Atlanta, Austin, Houston and New York City as well as solo and chamber performances throughout the southeastern United States. Additionally, he has performed at Carnegie Hall, Schwartz Hall at Emory University, La Belle Alliance in Curacao, and Cas di Cultura in Aruba. Mr. Cote has been a featured performer at the Amelia Chamber Music Festival, the Madison Chamber Music Festival and the Water Island Chamber Music Festival in the Virgin Islands.
Mr. Cote has released two recordings on the Artek label. His debut CD of Spanish music was released in 2008. New Classics said of the recording, “Cote’s accomplished playing is soulful yet always precise and in sympathy with the composers’ intentions. Highly recommended.” In 2012, he released his second album of contemporary American music and received a grant from Emory University to complete the recording and commission a piece specifically for the recording by John Anthony Lennon.
Mr. Cote studied at the Manhattan School of Music and at Peabody Conservatory of Music at Johns Hopkins University. His principle teachers were David Leisner and Julian Gray. Cote has taught extensively and has experience teaching all ages and styles, including rock, classical and flamenco guitar. He has taught at Emory University, the Bloomingdale School of Music, and the NY Guitar Academy, and teaches young children in the New York City public schools.
Cellist Wendy Law has appeared as soloist with renowned orchestras including the New York Philharmonic, Boston Symphony, Singapore Symphony, Hong Kong Sinfonietta, Russian Philharmonic, and Juilliard Orchestra. Ms. Law has performed throughout North America, appearing in such venues as Lincoln Center's Avery Fisher Hall and Alice Tully Hall, Weill Recital Hall at Carnegie Hall, the J.F. Kennedy Center, Washington, D.C. and Jordan Hall, Boston. An active chamber musician, she has collaborated with the Borromeo String Quartet, Yo-Yo Ma and Pamela Frank among others.
In 2003, Ms. Law was invited by the office of the UN Secretary General to perform at the General Assembly of the United Nations in a memorial ceremony for the UN staff and family members of those who lost their lives in the attack on the UN compound in Baghdad, Iraq. A regular touring artist, Ms. Law has toured with “Musicians From Marlboro" and performed internationally in Hong Kong, Taiwan, Singapore, Argentina, Chile, Canada, France, Switzerland, and Belgium.
Ms. Law has appeared on television and radio. Ms. Law has been featured on Japan's NHK TV documentary series "New York Streets," which was broadcast nationwide. She has also appeared on PBS TV's documentary broadcast on the New England Conservatory Youth Philharmonic Orchestra's tour of Chile and Argentina. Ms. Law has recorded Wing-Fai Law's "Phantasm" with the Russian Philharmonic Orchestra for the Hugo label.
A recipient of numerous awards, Ms. Law has received the Juilliard InterArts Award, first prizes in the Juilliard Cello Concerto Competition, National Foundation for Advancement in the Arts, Kingsville International Competition, Fischoff National Competition (as a member of the Amaryllis String Quartet), the Harvard Musical Association Achievement Award, as well as local and national prizes in the American String Teacher's Association Competition and the Boston Symphony Orchestra Young Artist Competition.
Ms. Law began her cello studies with Ge Wu at the Hong Kong Academy of the Arts. At the age of 12, she moved to the US to study with Mark Churchill at Boston’s New England Conservatory Preparatory School as well as the Walnut Hill School. Ms. Law received her Bachelor of Music with Distinction from the New England Conservatory with Laurence Lesser, and her Master of Music and the prestigious Artist Diploma Program from The Juilliard School, where she studied with Joel Krosnick and Tim Eddy. In addition to her active performance schedule, Ms. Law is a Teaching Artist at the New York Philharmonic Orchestra, and founder and Artistic Director of Classical Jam.
Soprano Diana DiMarzio has appeared on theatrical and concert hall stages around the world. She was recently seen as Annie Dummermut on Broadway in The Visit opposite Chita Rivera and the late Roger Rees. Before her return to Broadway, she reprised her role as the Beggar Woman in the Virginia Opera's production of Sweeney Todd, directed by Ron Daniels. She sang the role with the Münchner Rundfunkorchester in Munich, Germany, in their 60th Anniversary Jubilee concert under the baton of Ulf Schirmer and starred on Broadway as the Beggar Woman in the critically acclaimed, Tony Award-winning revival, opposite Patti LuPone and Michael Cerveris and directed by Tony Award winner John Doyle.
Following her Broadway appearance, composer Adam Guettel cast Diana as Signora Naccarelli in the first national tour of his Tony Award-winning musical The Light in the Piazza, directed by Tony Award winner Bartlett Sher and produced by Lincoln Center. Recent stage engagements include the role of Aldonza in the national touring production of Man of La Mancha, with Jack Jones, and the mother in the National Tour of Evita, directed by Michael Grandage. Other roles include Donna Rafaella in White Widow at the Intar Theater, Mother Cratchit in A Christmas Carol with Shakespeare in the Park, and roles in Side by Side…by Sondheim, Showboat, and Desert Song.
Opera performances include Frasquita in a European touring production of Carmen and Sally in A Hand of Bridge. Ms. DiMarzio was also a featured soloist in a salute to Andrew Carnegie at the Pittsburgh Civic Arena, featuring Andy Williams and Jerry Lewis. Orchestral and concert engagements include performances at Lincoln Center, Madison Square Garden, guest soloist with the Aegean Chamber Orchestra at Ephesus in Turkey and soloist with the Virginia Symphony Orchestra, Richmond Symphony and Westfield Symphony. She has appeared on the television show The Sopranos and was cast by Sidney Lumet in his film Find Me Guilty starring Vin Diesel.
Ms. DiMarzio’s recordings include her debut CD including favorites from the classical and Broadway repertoire, demonstrating her versatility and vast range of interpretive skills. She can also be heard on both the German and Broadway recordings of Sweeney Todd as the Beggar Woman and can also be heard on the Broadway cast recording of The Visit. Ms. DiMarzio holds a Bachelor of Fine Arts in Vocal Performance from Carnegie-Mellon University and currently resides in New York City. www.DianaDimarzio.com
Mezzo-soprano Kathryn Krasovec has performed on such prominent stages as The Metropolitan Opera, Spoleto Festival USA, Weill Hall/Carnegie Hall, National Theater of Prague and Theater Bremen in Germany.
Ms. Krasovec returned to The Princeton Festival this past season as Mrs. Sedley in Peter Grimes in a career which spans engagements throughout Europe, North America and the Middle East. She recently sang the world premiere of Peacemakers by James Aikman with the Indianapolis Chamber Orchestra which was nominated for an Emmy Award.
Ms. Krasovec has been heard as soloist with The Princeton Baroque Festival Orchestra in the Bach Cantata 147, Herz und Mund und Tat und Leben and was the soloist with Voices Up! a concert series showcasing new composers in NYC.
She debuted in Carnegie's Weill Hall in Mohammed Fairouz's Audenesque as soloist with the Mimesis Ensemble and was soloist with the Oratorio Society of New Jersey in Handel's Dettingen Te Deum and a work by Karl Jenkins, The Armed Man: A Mass for Peace. She made her Princeton Festival debut as Marcellina in Le nozze di Figaro. Her Spoleto USA debut came in Philip Glass’s Kepler; was recently engaged with Beth Morrison Productions of Missy Mazzoli’s, Song from the Uproar; and as Public Opinion in Offenbach’s Orfée aux enfer with Light Opera of NJ.
After winning the Metropolitan Opera National Council Auditions, she made her Metropolitan Opera debut as a Woodsprite in Rusalka, performed the roles of Blumenmädchen and Knappen in Parsifal and covered the role of Hermia in A Midsummer Night’s Dream. Among her notable European accomplishments was the debut of Frid’s Das Tagebuch der Anne Frank in the role of Anne Frank with the Prague State Opera as well as being the first American to sing the title role in Janáček’s The Cunning Little Vixen and the British Dancing Girl in John Adams’ The Death of Klinghoffer at the National Theater of Prague.
In addition to international opera companies, her regional credits include: Opera Theatre of Saint Louis, Chautauqua Opera, Hawai’i Opera Theater, NYCO Vox, Center for Contemporary Opera, International Opera Theater, Emerald City Opera, Shreveport Opera, and Western Plains Opera. www.KathrynKrasovec.com
Clarinetist Megan Beaumont enjoys performing as both a soloist and as an orchestra member. She has performed with the American Symphony Orchestra, Hudson Valley Philharmonic, and the Northeastern Pennsylvania Philharmonic, and is also a regular substitute in the pit for Wicked on Broadway. In addition to clarinet, Ms. Beaumont performs and teaches saxophone.
Ms. Beaumont holds her Doctorate of Musical Arts degree from Stony Brook University. She earned her Bachelor of Music degree from Indiana University Jacobs School of Music and her Master of Music degree from Florida State University. Her primary clarinet teachers include Alan Kay, Frank Kowalsky, Howard Klug, and Eli Eban.
In addition to performing, Ms. Beaumont has a strong passion for teaching. In addition to teaching at NJAOM, Ms. Beaumont is on faculty at the Preparatory Division of Bard College Conservatory of Music teaching clarinet, saxophone, and musicianship. She teaches at Bard Summer Music Camps and has served as an adjunct professor at Georgia College and State University, Mercer University, and Wesleyan College in Macon, Georgia, where she taught clarinet lessons and coached chamber music.
When not looking for the perfect reed, Ms. Beaumont enjoys coffee, books, and spending time with her husband and son at their home in New Jersey.
Saxophonist Jean DiTanna has spent her career promoting and performing contemporary music. Her influences include musicians such as John Coltrane and Gary Louie and composer Christian Lauba. Johns Hopkins University granted her a Provost Research Award to study modern saxophone techniques at the Bordeaux Conservatory in France. Working with composers in France, Ms. DiTanna gave world premieres of Etienne Rolin’s Free Frog Leap, Philippe Laval’s Enfin and American, and Jessica Krash’s Taking Sides in Washington, D.C.
As an active performer, Ms. DiTanna joined the Milligan College Jazz Band as a guest artist and soloist. She played the premier of Book of Proverbs, by Michael Torke, with the Harrisburg Symphony Orchestra. Ms. DiTanna was also invited to perform for Jean-Marie Londiex at the International Saxophone Symposium in Washington, D.C.
Ms. DiTanna began her saxophone studies with Dr. Wayne Pegram at the age of thirteen. She was awarded a merit scholarship to study with Gary Louie at the Peabody Conservatory of the Johns Hopkins University, where she earned her Bachelor of Music degree. Ms. DiTanna then pursued her Master of Music degree, receiving a graduate assistantship and studying with James Houlik, at Duquesne University. Ms. DiTanna has been successfully preparing students for auditions, recitals, and competitions for more than twelve years.
Huei-Mei (May) Jhou performed in a variety of music ensembles, orchestras, and chamber ensembles in the United States and Southeast Asia as principal flutist performing varied styles from Baroque to Modern. A proponent of advanced flute performance techniques, Dr. Jhou has presented workshops and master classes, including the Minnesota All-State Band and International Music Camp.
Dr. Jhou completed her Doctorate of Music degree at the University of Minnesota and her Master of Music degree at the University of Miami, Frost School of Music, where she received the Frost School of Music scholarship. Her dissertation, Pedagogy of Influential Selected Works by Marcel Moyse: A Modern Perspective, focuses on flute pedagogy and thoughts behind Marcel Moyse’s works and how students could apply modern practice performance tools to master Moyse’s studies and exercises.
Dr. Jhou is a recipient of the Suji Lee scholarship from the Taiwanese Association of America. Her principal teachers have included Immanuel Davis, Jim Walker, the late Christine D. Nield-Capote, Linda Nielsen Korducki, Nadine Hur, Jenny Robinson, and Ebonee Thomas. In addition to teaching at NJAOM, Dr. Jhou also teaches at Union County College and Sussex Community College.
Born and raised in Germany to an artistic family, Christian Finger started early on the drum set and piano at the Musikhochschule Detmold. He continued studying drums in Germany, USA and in the Netherlands-Hilversum at the Amsterdams Hogeschool voor de Kunsten. After receiving his BA and MA Degrees, he worked as a freelance musician in Jazz and Pop Music, and at major Theater and Musical productions throughout Europe. That led to features on WDR TV (Germany’s biggest station) and at several radio stations. Mr. Finger also founded, drummed and composed for the award winning band Once in Lifetime. With this quartet and other bands he performed at major Jazz festivals in Europe, releasing several CDs and DVDs. After living in Sydney, Australia, he moved to New York City in 2001.
Working in a wide variety of fields, Mr. Finger’s versatility shows in different musical styles, ranging from Jazz, Rock, Pop, Musical Theater music and Cabaret to work as a studio musician. Through his enterprise Drum tracks via Internet, he has played also on countless music projects.
Mr. Finger has received press from: Down Beat Magazine, All About Jazz, New York City Jazz Recorder, Village Voice, Der Spiegel (Europe’s biggest News Magazine) New York Magazine, Jazz Inside Magazine, Jazz Podium, Sydney Jazz Monthly, several international Jazz websites and blogs, and was featured on several US, German and Australian Radio Shows. His exciting and diverse compositions have been part of several theater productions throughout New York City; he also wrote the theme song for the Goethe Institute’s Step Into German program.
In addition, Mr. Finger teaches privately and has written two drum books and several articles for the Modern Drummer magazine. He also teaches at the renowned German Goethe Institute, gives Masterclasses, Clinics and Workshops worldwide and is a judge at the Drum Off competition.
Cellist Amali Premawardhana enjoys a career as a classical orchestral and chamber musician. Her performance career has taken her to major concert halls across the United States, Paris, Southern France and Sri Lanka, and to venues such as Carnegie Hall and Lincoln Center with groups such as the the New England Symphonic Ensemble and the Distinguished Concerts International New York Orchestra.
In addition to performing, Ms. Premawardhana is an active teacher. A graduate of the Manhattan School of Music, Ms. Premawardhana subsequently pursued Suzuki Cello pedagogy studies at New York School for Strings under the tutelage of Pam Devenport, where she was registered in Books 1-8.
Ms. Premawardhana’s primary teachers were Julia Lichten, Margo Tatgenhorst-Drakos, and Tsuyoshi Tsutsumi, and she has received guidance in Indian music from Indian - Dhrupad cellist, Nancy Lesh Kulkarni. She has taken part in festivals such as the Tanglewood Institute, the New York String Orchestra Seminar, the Learnquest Indian Music Conference, the New Directions Cello Festival, San Francisco's Classical Revolution Festival, and has performed frequently with Brooklyn Raga Massive, a leading community of Indian music artists in New York City.
Ms. Premawardhana has had the privilege of performing in master classes with extraordinary cellists such as Yo-Yo Ma, Ron Leonard and Matt Haimovitz, in orchestral workshops under the baton of Kurt Masur, and in performances for events hosted by international brands as exciting as Stella Artois. Ms. Premawardhana has performed with the Broadway tour of South Pacific, and has toured with the critically acclaimed Black Rock Coalition Orchestra.
A proponent of traditional music, Ms. Premawardhana co-leads her own ensemble, Karavika, which blends Western chamber music with musical traditions of India and Sri Lanka. Karavika has been hailed by the New York Times as a soulful blend of classical and folk traditions and by the San Francisco Classical Voice as commanding performers... suggestive of some of the adventures of such crossover explorers as Edgar Meyer and Yo-Yo Ma.
Praised by the New York Times as polished and spirited, award-winning cellist Ken Kubota has performed in Europe, Asia, and United States as a soloist and chamber musician. In addition to performing, Mr. Kubota is a sought-after instructor. Alongside instruction at NJAOM, he is also on the cello faculty at the Peabody Preparatory, Suzuki Music Schools of Westport and Orange, and Primoris Academy.
Mr. Kubota earned his Bachelor of Music and Master of Music degrees from The Juilliard School, where he performed as principal cellist in the Juilliard Chamber Orchestra and participated in Juilliard ChamberFest multiple times. Prior to pursuing his degrees, he performed as principal cellist with the Detroit Symphony Civic Youth Orchestra.
Mr. Kubota began playing at the age of eight in Columbus, Ohio, and studied privately with Richard Aaron, Anthony Elliott, and Alice Ann O’Neill. He has participated in master classes with greats such as Yo-Yo Ma, Frans Helmerson, and other master performers. In his free time, Mr. Kubota enjoys producing pop and jazz covers with his friends and colleagues twice a week for Instagram and YouTube under JHMJams. www.KenJamesKubota.com