About the NJ Academy of Music
World-class faculty. High-quality facilities. A passion for music. A strong music community.
The NJ Academy of Music stands out amongst the very best music schools for serious young musicians. Our unique combination of dedicated, internationally recognized teaching staff, breadth of performance and teaching expertise, and versatility enable us to carve a path that can take students from beginner through advanced, career-oriented caliber of performance.
While classical music is one of the most demanding and challenging art forms, music enriches our lives and demands a level of self-discipline, attention to detail, and dedication that can enable all of us to achieve artistic excellence and share meaningful self-expression.
At NJAOM, we believe that students of all abilities and levels can be taught to play engaging music through a combination of focused ear training, disciplined practice, and musical education. Through group classes, performance classes, and private instruction, paired with collaborative ensemble studies through our sister organization, NJ Young Artist Ensembles, students increase self-confidence, gain musical instincts, and learn a true appreciation for music while acquiring performance skills and making musical friendships that will last a lifetime.
NJAOM’s students have been prize winners in regional and national competitions and earned recognition at major international competitions. Our students have also been invited to perform with notable U.S. orchestras and have attended pre-professional music festivals. We are proud of our students’ accomplishments and encourage all of our students to strive to exceed their musical goals.
The only U.S.–born Laureate of the prestigious 2001 Queen Elisabeth International Violin Competition and grand prize winner of the 1997 William Primrose International Viola Competition, Ms. Castelli has been a featured soloist with ensembles worldwide, including the orchestras of Cleveland, Atlanta, National, Seattle, Colorado, Minnesota, Pittsburgh, New Jersey, and Alabama in the U.S., and the Belgian National Orchestra, National Orchestra of Colombia, and Chilean Regional Philharmonic overseas.
As a recitalist, she has appeared on concert series in nearly every major city in the United States, and has been presented in such prominent venues as Carnegie Hall, where she made her critically hailed 2004 recital debut. She has also been heard as soloist and chamber musician on radio stations around the globe. A teacher of award-winning violin students, Ms. Castelli is highly sought after as an instructor of children ranging from beginner to professional level. Some of Ms. Castelli’s students reside in other states and drive or fly in for lessons. Ms. Castelli has taught violin and viola for more than 20 years and has sent students to national and international competitions as well as major summer festivals across the United States.
Ms. Castelli began studying the violin at age three with Edward Kreitman, continuing her studies with Roland and Almita Vamos at the Music Institute of Chicago. She earned her bachelor’s degree in chemistry from Harvard University and her master’s degree in violin performance from The Juilliard School, where she studied with Dorothy DeLay. She is the winner of the Juilliard Concerto Competition and recipient of the Schuman Prize, Juilliard’s only award for graduate students. Ms. Castelli resides in the New York City area with her husband and three children. www.christinacastelli.com
Pianist Grant Moffett has met with great success in his piano performances nationwide. Mr. Moffett has appeared with numerous orchestras in the United States, including the Chicago Symphony Orchestra, the Knox-Galesburg and Elgin Symphonies, and the Woodstock Mozart Festival Orchestra. As a recitalist, he has performed throughout the United States and in Russia.
In addition to his critically acclaimed concerto and recital appearances, Mr. Moffett has garnered prestigious awards from the Saint Louis Symphony National Young Artists Competition, Grace Welsh Prize for Piano, Kosciuszko Foundation Chopin Piano Competition, Concerto Soloists Young Artist Competition, and the National Foundation for Advancement in the Arts Competition.
Mr. Moffett began his piano studies at age four as a Suzuki student of Virginia Burkhart and pursued additional studies with Theodore Edel and Donald Walker. He earned his master’s degree from The Juilliard School, where he worked with Jerome Lowenthal and studied chamber music with Rohan De Silva. Mr. Moffett holds a bachelor’s degree in biology from Harvard University.
John Austin is an active chamber and orchestral performer in the greater NYC area, where he is a member of the Manhattan & Bergen Symphonies. In addition to his classical roots, he has recorded and performed live with numerous folk, jazz, and hip-hop groups.
Mr. Austin served as the University of North Carolina School of the Arts viola teaching assistant while pursuing his undergraduate degree in viola performance there. He was also a member of the Asheville and Winston-Salem Symphonies while in North Carolina.
In addition to teaching and performing, Mr. Austin is an AmSAT-certified Alexander Technique teacher. He has taught AT lessons and lectured at Columbia and McGill Universities. He was trained at the American Center for the Alexander Technique in Manhattan.
A native of Siberia, Grigory Smirnov is an award-winning composer and pianist. His compositions have been performed around the globe in major venues, such as Lincoln Center, Tanglewood, Merkin Concert Hall, Moscow Philharmonic Society and The Copenhagen Opera House. Among his recent works is a large-scale song cycle Dowson Songs, commissioned by The ASCAP Foundation, premiered at Merkin Concert Hall at Kaufman Music Center in New York and to be released on a CD by Naxos. Mr. Smirnov's music has been featured on WQXR, America's leading classical music radio station, and in a number of festivals worldwide, including Tanglewood Music Center (MA, USA), Brevard Music Center (NC, USA), ppIANISSIMO (Sofia, Bulgaria), Chamber Music Sessions (Kiev, Ukraine), CTAM Festival (Moscow, Russia), Blue Lake Summer Arts Festival (MI, USA).
Born in Novosibirsk (Russia), Grigory Smirnov studied as a pianist at the Novosibirsk Music College and as a composer with Yuri Yukechev at the Glinka Novosibirsk State Conservatory. During his years in Russia, he was he was awarded a composition prize at the IV Prokofiev International Competition and debuted as a composer of orchestral music with his composition Pastorale which was premiered by the Novosibirsk Philharmonic Orchestra. Since moving to the United States, Mr. Smirnov has received his Master of Music degree in composition from The Juilliard School, where he was a full scholarship student under the guidance of Christopher Rouse. His other mentors include John Corigliano, Richard Danielpour and Robert Aldridge.
Katsuko (“Kay”) Tsuji is a leading instructor of Suzuki piano pedagogy. Ms. Tsuji was born into a musical family and started her early music training at age 3 at the Yamaha and Suzuki music schools. Her musical passion extended not only to classical music but also Jazz and Latin. Ms. Tsuji earned her bachelor’s degree in music from Osaka College of Music and her master’s degree in music from Mannes College of Music and the Juilliard School, with additional studies at the Aspen Music School, Yamaha Music School, and Suzuki talent education in Japan.
As a Suzuki teacher, Ms. Tsuji studied pedagogy with Cathy Hagrave, Jane Reede, Fey Adams, and Joan Krzywicki while being inspired by Nancy Model’s Suzuki/Taubmann approach. She has taken continuing education courses in Suzuki training at the School for Strings under the guidance of Marina Obukvsky. Ms. Tsuji is active member of ASCAP, MTNA, NGPT, MEANJ, and PMTGNJ. Her students range from age two to ninety-nine and she enjoys working with special needs students.
Ms. Tsuji has received numerous teaching awards, including the National Honor Award, Piano Teacher Hall of Fame from American College of Musicians, and the Highest Score Award from ABRSM (Associate Board of Royal School of Music). In addition to teaching, Ms. Tsuji also serves as organist/keyboardist at Paramus Congregational Church, Mission Church, and as a music therapist at Bergen Regional Medical Center.
Guitarist Alejandro Cote is a versatile performer who has an extensive repertoire as both a solo and chamber musician. Recent performances include recitals in Atlanta, Austin, Houston and New York City as well as solo and chamber performances throughout the southeastern United States. Additionally, he has performed at Carnegie Hall, Schwartz Hall at Emory University, La Belle Alliance in Curacao, and Cas di Cultura in Aruba. Mr. Cote has been a featured performer at the Amelia Chamber Music Festival, the Madison Chamber Music Festival and the Water Island Chamber Music Festival in the Virgin Islands.
Mr. Cote has released two recordings on the Artek label. His debut CD of Spanish music was released in 2008. New Classics said of the recording, “Cote’s accomplished playing is soulful yet always precise and in sympathy with the composers’ intentions. Highly recommended.” In 2012, he released his second album of contemporary American music and received a grant from Emory University to complete the recording and commission a piece specifically for the recording by John Anthony Lennon.
Mr. Cote studied at the Manhattan School of Music and at Peabody Conservatory of Music at Johns Hopkins University. His principle teachers were David Leisner and Julian Gray. Cote has taught extensively and has experience teaching all ages and styles, including rock, classical and flamenco guitar. He has taught at Emory University, the Bloomingdale School of Music, and the NY Guitar Academy, and teaches young children in the New York City public schools.
Laura Kay, hailed for her “sparkling, dazzling soprano,” has been featured in competitions, festivals and operatic stages around the country. She was most recently seen as Pamina in Opera Pantomime’s Die Zauberflöte, in the Heights Opera Initiative Project’s inaugural season as Violetta in La Traviata and Micaëla in Carmen, as well as the premier of Opera 691’s production of Finding Cinderella. Other operatic roles include Musetta (La Bohème), Contessa (Le Nozze di Figaro), Antonia (Les Contes d’Hoffmann), Lucy (The Telephone), and The Queen of the Night (Die Zauberflöte). A strong advocate for new American music, Laura has a strong following as a recitalist featuring new and little known works by American composers, both as a soloist and as a founding member of the CIRCE Trio with cellist Isabel Fairbanks and pianist Zach Mo.
Ms. Kay holds a Bachelor of Musical Arts in Vocal Performance and Contemporary American Literature from the Pennsylvania State University, and a Master of Music in Voice from the Cleveland Institute of Music.
As a private teacher and vocal technician, Laura operates a healthy vocal studio in the Washington Heights neighborhood of Manhattan in New York City, and has served on the faculty of Turtle Bay Music School in New York, as well as vocal pedagogy teaching assistant at Penn State University. Her techniques concentrate on holistic, natural vocal production, and she strives to introduce students to new musical avenues while helping them achieve their goals. Her students range from beginners to professional recording artists and stage performers; her students have gained acceptance to Fiorello H. LaGuardia High School of Music & Art and Performing Arts, Manhattan School of Music, Ithaca College, and University of Pennsylvania among others, and have been seen on major record labels, Broadway and operatic stages. www.laurakaysoprano.com
Clarinetist Megan Beaumont enjoys performing as both a soloist and as an orchestra member. She has performed with the American Symphony Orchestra, Hudson Valley Philharmonic, and the Northeastern Pennsylvania Philharmonic, and is also a regular substitute in the pit for Wicked on Broadway. In addition to clarinet, Ms. Beaumont performs and teaches saxophone.
Ms. Beaumont holds her Doctorate of Musical Arts degree from Stony Brook University. She earned her Bachelor of Music degree from Indiana University Jacobs School of Music and her Master of Music degree from Florida State University. Her primary clarinet teachers include Alan Kay, Frank Kowalsky, Howard Klug, and Eli Eban.
In addition to performing, Ms. Beaumont has a strong passion for teaching. In addition to teaching at NJAOM, Ms. Beaumont is on faculty at the Preparatory Division of Bard College Conservatory of Music teaching clarinet, saxophone, and musicianship. She teaches at Bard Summer Music Camps and has served as an adjunct professor at Georgia College and State University, Mercer University, and Wesleyan College in Macon, Georgia, where she taught clarinet lessons and coached chamber music.
When not looking for the perfect reed, Ms. Beaumont enjoys coffee, books, and spending time with her husband and son at their home in New Jersey.
Saxophonist Jean DiTanna has spent her career promoting and performing contemporary music. Her influences include musicians such as John Coltrane and Gary Louie and composer Christian Lauba. Johns Hopkins University granted her a Provost Research Award to study modern saxophone techniques at the Bordeaux Conservatory in France. Working with composers in France, Ms. DiTanna gave world premieres of Etienne Rolin’s Free Frog Leap, Philippe Laval’s Enfin and American, and Jessica Krash’s Taking Sides in Washington, D.C.
As an active performer, Ms. DiTanna joined the Milligan College Jazz Band as a guest artist and soloist. She played the premier of Book of Proverbs, by Michael Torke, with the Harrisburg Symphony Orchestra. Ms. DiTanna was also invited to perform for Jean-Marie Londiex at the International Saxophone Symposium in Washington, D.C.
Ms. DiTanna began her saxophone studies with Dr. Wayne Pegram at the age of thirteen. She was awarded a merit scholarship to study with Gary Louie at the Peabody Conservatory of the Johns Hopkins University, where she earned her Bachelor of Music degree. Ms. DiTanna then pursued her Master of Music degree, receiving a graduate assistantship and studying with James Houlik, at Duquesne University. Ms. DiTanna has been successfully preparing students for auditions, recitals, and competitions for more than twelve years.
Huei-Mei (May) Jhou performed in a variety of music ensembles, orchestras, and chamber ensembles in the United States and Southeast Asia as principal flutist performing varied styles from Baroque to Modern. A proponent of advanced flute performance techniques, Dr. Jhou has presented workshops and master classes, including the Minnesota All-State Band and International Music Camp.
Dr. Jhou completed her Doctorate of Music degree at the University of Minnesota and her Master of Music degree at the University of Miami, Frost School of Music, where she received the Frost School of Music scholarship. Her dissertation, Pedagogy of Influential Selected Works by Marcel Moyse: A Modern Perspective, focuses on flute pedagogy and thoughts behind Marcel Moyse’s works and how students could apply modern practice performance tools to master Moyse’s studies and exercises.
Dr. Jhou is a recipient of the Suji Lee scholarship from the Taiwanese Association of America. Her principal teachers have included Immanuel Davis, Jim Walker, the late Christine D. Nield-Capote, Linda Nielsen Korducki, Nadine Hur, Jenny Robinson, and Ebonee Thomas. In addition to teaching at NJAOM, Dr. Jhou also teaches at Union County College and Sussex Community College.
Bassist Sean Francois has been performing throughout the country since the age of nine. He is known as a bassist of great versatility, capable of both solo qualities and the finesse to collaborate within an ensemble.
Mr. Francois started his career in the Chicago area where he performed frequently and ran a thriving private studio. He became well known in the area and regularly performed with jazz luminaries such as Bob Ojeda, Ava Logan, and Russ Phillips. He was a finalist in the 2017 Luminarts Jazz Improvisation Competition, hosted by the Union League Club of Chicago.
Mr. Francois has studied with world-renowned musicians and educators, including David Baker, Nick Schneider, Mark Bettcher, and Jeremy Allen. He graduated with a Bachelor’s degree in Jazz Studies in Double Bass from Indiana University’s prestigious Jacobs School of Music.
Cellist Amali Premawardhana enjoys a career as a classical orchestral and chamber musician. Her performance career has taken her to major concert halls across the United States, Paris, Southern France and Sri Lanka, and to venues such as Carnegie Hall and Lincoln Center with groups such as the the New England Symphonic Ensemble and the Distinguished Concerts International New York Orchestra.
In addition to performing, Ms. Premawardhana is an active teacher. A graduate of the Manhattan School of Music, Ms. Premawardhana subsequently pursued Suzuki Cello pedagogy studies at New York School for Strings under the tutelage of Pam Devenport, where she was registered in Books 1-8.
Ms. Premawardhana’s primary teachers were Julia Lichten, Margo Tatgenhorst-Drakos, and Tsuyoshi Tsutsumi, and she has received guidance in Indian music from Indian - Dhrupad cellist, Nancy Lesh Kulkarni. She has taken part in festivals such as the Tanglewood Institute, the New York String Orchestra Seminar, the Learnquest Indian Music Conference, the New Directions Cello Festival, San Francisco's Classical Revolution Festival, and has performed frequently with Brooklyn Raga Massive, a leading community of Indian music artists in New York City.
Ms. Premawardhana has had the privilege of performing in master classes with extraordinary cellists such as Yo-Yo Ma, Ron Leonard and Matt Haimovitz, in orchestral workshops under the baton of Kurt Masur, and in performances for events hosted by international brands as exciting as Stella Artois. Ms. Premawardhana has performed with the Broadway tour of South Pacific, and has toured with the critically acclaimed Black Rock Coalition Orchestra.
A proponent of traditional music, Ms. Premawardhana co-leads her own ensemble, Karavika, which blends Western chamber music with musical traditions of India and Sri Lanka. Karavika has been hailed by the New York Times as a soulful blend of classical and folk traditions and by the San Francisco Classical Voice as commanding performers... suggestive of some of the adventures of such crossover explorers as Edgar Meyer and Yo-Yo Ma.
Praised by the New York Times as polished and spirited, award-winning cellist Ken Kubota has performed in Europe, Asia, and United States as a soloist and chamber musician. In addition to performing, Mr. Kubota is a sought-after instructor. Alongside instruction at NJAOM, he is also on the cello faculty at the Peabody Preparatory, Suzuki Music Schools of Westport and Orange, and Primoris Academy.
Mr. Kubota earned his Bachelor of Music and Master of Music degrees from The Juilliard School, where he performed as principal cellist in the Juilliard Chamber Orchestra and participated in Juilliard ChamberFest multiple times. Prior to pursuing his degrees, he performed as principal cellist with the Detroit Symphony Civic Youth Orchestra.
Mr. Kubota began playing at the age of eight in Columbus, Ohio, and studied privately with Richard Aaron, Anthony Elliott, and Alice Ann O’Neill. He has participated in master classes with greats such as Yo-Yo Ma, Frans Helmerson, and other master performers. In his free time, Mr. Kubota enjoys producing pop and jazz covers with his friends and colleagues twice a week for Instagram and YouTube under JHMJams. www.KenJamesKubota.com